Rescheduled From last December, Friday 21st May 2021 sees the opening of the Royal Opera House presents the world’s first opera in hyper reality: Current, Rising – a unique collaboration between the Royal Opera House’s innovation programme, Audience Labs, award-winning Figment Productions and Royal Holloway, University of London. 

This being our first press event in 2021 we can confirm it’s worth visiting, this VR experience takes you on a mystical journey that’s hard to put into words but we are sure once you experience it, you will be want to revisit.

Developed by a female-led creative team and funded by UK Research and Innovation, Current, Rising is a timely experiment blending historic stagecraft, artistic excellence and cutting-edge technology, turning the notion of what it means to go to the opera on its head. Current, Rising is a 15-minute hyper reality opera experience, combining virtual reality with a multisensory set, inviting audiences to step into a bespoke ‘Opera Tardis’ and experience a dream-like journey carried musically by a poem layered in song.

The experience will take place in the Royal Opera House’s Linbury Theatre from 21st May – 10th June 2021 and will strictly adhere to social distancing guidelines. Tickets are available to buy here

Inspired by the liberation of Ariel at the end of Shakespeare’s Tempest, Current, Rising will take four people at a time into its magical universe, traversing together the landscapes of the night, from twilight to dawn – exploring ideas of isolation, connection, and collective reimagination – a prescient moment and experience of our time.

Current, Rising is directed by video pioneer, Netia Jones, hailed as ‘one of the most imaginative directors of opera working in Britain today’ (The Observer). It is designed by award-winning designer Joanna Scotcher, who trained at the Royal Shakespeare Company, and is composed by renowned composer Samantha Fernando. Featuring in the experience is soprano, Anna Dennis, noted for her work in both baroque and contemporary music and recently described as a ‘delectable soprano and a serene, ever-sentient presence’ (The Times). 

Annette Mees, Head, Audience Labs, Royal Opera House says; “The ambition for Current, Rising is to transport audiences to a visionary new opera landscape by exploring the transformative power of digital technology. With Audience Labs we have been delving deep to uncover the extraordinary possibilities of what happens when you blend technology with artistic expression. Current, Rising is a perfect illustration of our work and demonstrates a vision for the future of cultural forms, encapsulating a 21^stcentury version of what opera calls “gesamtkunstwerk” (a work of Total Art); a new form, rooted in stage tradition, enriched by the magic of technology”.

Netia Jones, Director, Current, Rising says; “With Current, Rising, we have been exploring the possibilities of VR to expand the idea of what an opera can be, both in the process of creation, and in the audience experience. VR challenges all the traditional hierarchies of opera and classical music, and allows a completely different approach. It is the most democratic of all media – it can subvert the laws of physics so why would it need to conform to the usual rules of cultural exchange? It provides a space where music, the visual world and the physical experience are completely enmeshed, changing the relationships between the creators, the usual sequence of creation, and the relationship of the audience to the work. Here the audience are the protagonists, they are inside the work, and their physical experience is a part of the work itself.”

Simon Reveley, CEO, Figment Productions says; “Our partnership with the Royal Opera House has allowed us to create a truly unique piece of work, one that extends beyond the reach of this production and brings learning to this new cultural field. Over the past three years we have developed a ‘hyper reality’ platform to enable a group of people to move freely around a virtual world in a shared space, seeing each other as avatars and exploring a world that features real world effects like wind, rumble, movement and tactile objects.  Figment are thrilled to share this prescient concept with the public pushing the envelope of collaboration across diverse creative industries.”

Alex Beard, Chief Executive, Royal Opera House says; “We are thrilled to launch Current, Rising as part of the Royal Opera House autumn programme 2020 – this has been two years in the making, a perfectly formed experiment and proud illustration of our work, reimagining, prototyping and presenting opera and ballet in bold new ways”.